I
usually like my novels fat and weighty-with enough room
and leisure to really get to know the characters, to
immerse myself in the inner thoughts of someone new
and interesting. East of Mourning is a very short book,
136 pages. Thomas Wolfe takes 136 pages to clear his
throat. Markus writes in quick, cutting strokes with
dialogue real and snappy. I had a sense, within a few
paragraphs, that I knew the narrator, Brian, a thirty
year old bitter frustrated hockey coach, all my life.
Brian is ecstatic when young Kyle
Clark moves to his small Ontario town of Mourning. Kyle
is a hockey genius and dreams of hockey glory develop.
The boy and the coach develop an intense relationship
over the next few years and this pairing forms the focal
point of the novel. But Markus also plays with Kyle’s
rather twisted dealings with his parents and Brian’s
twisted relationship with the whole world in general.
The author plays with the whole conceit
of the first person narrator, the book appears to be
in the form of notes taken by Brian, a frustrated writer,
of course, over the years. Most people, this writer
included, tend to take what a narrator says at face
value. After all, it’s all we have to go on. But it
becomes readily apparent that Brian is a liar. The whole
character he wants to present to the world, this sarcastic
manipulative control artist zooming through life who
is, perhaps, truly evil, is just a myth. Brian is a
loser and he knows it. Everything he touches turns to
crap. This adds more than a little conflict to his relationship
with Kyle who is good at everything. Good looking, intelligent,
athletically and musically gifted, Kyle is, by everyone’s
definition, a winner. Brian recognizes these gifts and
looks to Kyle for his ticket out of Mourning all the
while resenting the boy.
A lot of obstacles stand in Brian
and Kyle’s path in East of Mourning and the plot progresses
at a nice brisk pace quite easily meeting the book jacket
tag line ”Sex, Drugs, Rock and Roll, Suicide, Murder…and
Hockey.” The humor of the book is nicely balanced with
more tragic, violent happenings.
Markus seems to know a lot about being
a teen in a small town. The scenes with Kyle and their
friends, as they play their music or drive around aimlessly
ring very true. One particular scene, a very politically
incorrect exchange on what one might do for a million
dollars, is hilarious. As the book progresses, and Kyle
grows up his character grows more stronger and, soon,
he can dish it out as well as his coach. Brian likes
to lecture and after subjecting Kyle to a weighty discourse
on aging Kyle remarks, “You old guys are so smart, just
like Yoda or something.” Brian then notes that he and
Yoda went to school together.
I read this book in one sitting, in
an experience almost more cinematic than literary. The
short scenes dominated by dialogue, curt descriptions
and ironic asides flow quickly into each other. Perhaps
too quickly. My major gripe with this book is that I
didn’t get to spend enough time with the people of Mourning.
East of Mourning is a novel that can be read as a very
funny character study with a little bit of a murder
mystery and decadent small town misbehavior thrown in.
Michael Markus has, also, some insightful and vital
things to say about the thirty something generation
in the nineties and the one that directly succeeded
it. I look forward to his next book, I just hope it
is longer.
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