“Mansfield Park” is the most condensed and complex novel ever written by
Jane Austen, and is her first novel that was conceived, written, and
published at her mature years. Even though it lacks in the playful ironic
humor which is so characteristic of Austen’s other novels, it is the novel
that most clearly shows another aspect of the writer: her philosophical
anxieties, her social concern, and her mature feminism.
Austen seems fearful of the impact change and progress has on traditional
life including its morals, beliefs, and behavior. As a result her themes
revolve around change, the battle between good and evil, character, dependency, and independence. The subtle battle
between good and evil is one between the moral forces of the serene Mansfield Park, and the amoral
intruders whose “London values” pose a threat to the traditional ways of
Mansfield.
There is a great question, which seems to preoccupy Austen in writing
“Mansfield Park”. Is character formed in relation to environment and
opportunity? Or is character the innate tendencies to be “good” or “evil”,
“moral” or “amoral”, “quiet” or “loud”. Most importantly,
how far can one change by adapting to one’s environment. The example of Fanny Price displays
the difficulty in finding definite answers to such questions.
Fanny first appears as the poor relation from Portsmouth and is small,
awkward, and shy. The absence of family identity makes Fanny a displaced
person: she feels homesick wherever she is. When at Mansfield she longs for
Portsmouth, and when she finally returns to Portsmouth at eighteen she
discovers that Mansfield is where she belongs. She returns to find Mansfield
shattered by scandal and disgrace, and to be placed at the center of what
has remained of the Bertram family.
What is striking and confusing is how the pious Fanny manages to be
perfectly happy when surrounded by the misery of those close to her, while
she was miserable when these same people were happily enjoying their lives.
Isn’t Austen thus questioning “goodness” or at least the saintliness in
Fanny’s character? The novel poses several such disturbing questions, which
challenge values like tradition and stability, which it appears to praise.
Austen doesn’t present all change as negative, but merely states that
for change to be positive it must be “natural”. Fanny, the pillar of
goodness and morality clearly expresses this idea: “How wonderful, how very
wonderful the operations of time and the changes of the human mind”. Fanny’s
philosophical ideas are an indication of her intellectual advancement, which
was made possible by the opportunities she now had at Mansfield Park. Thus
Austen also expresses her views on the importance of environment in shaping
or even changing one’s character. However, the concept of innate individuality does not escape
Austen: “when one thinks of it, how
astonishing a variety of nature”. Isn’t this symbolic of the variety in the
human species? One solid example is how radically different Fanny is from
Mary.
Austen is also perplexed with how some people can deviate from the most
basic rules of creation: “plants differing in the rule and law of their
existence”. Isn’t this a reflection on the amorality of some young
aristocrats? However, as “amorality” is presented as “not natural” it cannot
be eternally present in the soul of a human being. Doesn’t Henry Crawford
repent? Doesn’t he show a need to be good? Even at the height of his amoral
state of mind he would reflect “with something of a consciousness” when
reminded of his wrongdoing. At the very least he shows signs of wanting to
reform himself, even if he is too weak to do so.
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