"On
the Road" is a novel that makes the reader want to go out
there, seize the day, and live, live, live! Jack Kerouac,
creator of the "beat generation" best sums up his
philosophy as "everything belongs to me because i am
poor". The failure of ideology and of the American Dream
in the 1960s gave young dreamers who were eager to live just
one way out: the road.
Kerouac
presents Sal Paradise, a young and innocent writer, and Dean
Moriarty, a crazy youth "tremendously excited with
life" racing around America, and testing the limits of
the American Dream. Their journeys consist of scenes of rural
wilderness, sleepy small towns, urban jungles, endless
deserts-all linked by the road, the outlet of a generation's
desire and inner need to get out, break its confinement, and
find freedom, liberated from any higher belief, notion, or
ideology. The desperation and the lack of fulfillment made
these youths feel that "the only thing to do was
go", searching for their personal freedom, and finding
pleasure in sex, drugs, and jazz.
It seems that the "beat generation" had one and only
ideology, and that was life. As Sal Paradise says: "life
is holy and every moment is precious", which explains why
Dean" seemed to be doing everything at the same
time". The fear of death subconsciously followed the gang
around America, as expressed by their visions of a spirit
following them across the desert of life.
Wasn't the "beat generation" a particularly wise and
enlightened one then? Isn't it true that every human being's
greatest fear is that death will come too soon, before he/she
has time to do what he/she had always wanted to do? Isn't it
always too soon?
Even though the gang feared that "death will overtake us
before Heaven" they did all in their power to experience
as much of Heaven as they could while still alive. They were
wise enough to see that there was no point in conforming with
the materialism of the American Dream: "the mad
dream-grabbing, taking, giving, sighing, dying just so they
could be buried in those awful cemetery cities beyond Long
Island City".
It is for this reason that Kerouac presents the "beat
generation" as a "holy" generation: because it
was liberated from the peril of ambition, materialism and
ideology, and was in a constant search for some greater truth
that life would teach them. Ed Dunkel, the tall, silent, lost
boy is described as "an angel of a man". Dean
Moriarty, the personification of the road was a "holy
con-man" with a "holy lightning" gaze. By the
end of the novel, Dean achieves so high a level of saintliness
that "he couldn't talk any more".
"On the Road" is a novel of experience; it tells
tales of madness played out by all kinds of strange
characters, in settings as diverse as a Virginia small-town
diner, a New York jazz-joint, and a Mexican whore-house. What
connects these adventures is the characters' refusal to miss
out on life,and their determination to get the most out of
now. |